I saw it happen in a vacant lot behind a clapboard house. The
white girl was a small painter of nude self-portraits and the black man had
once sold magazines door to door. It was Wednesday, early in the morning. Over
the roof I could see the sun tinting the sky variously, and underneath this, in
the foreground, the little scene. In the middle parts of the country the
landscape is divided into sections, one fenced in, the other open; but because
the former area is, the latter seems likewise fenced in, though this is not
necessarily the case. The areas are too general for case. The vacant lot behind
the clapboard house is in what you would recognize as the middle of a fenced in
field. Here, the night is never quiet, full of insects too small to pity, and
men hurt one another without thinking. The black man comes towards me. His dusty
chin quivers a little as he begins to cry. If you mention the President, a
black man will invariably cry. The President is the President of all of us, I
say. When I was a young man I wore a mask when I went out at night. I hid behind
corners, waited for footsteps, went through pockets and took what I could before
I ran off. I would do this until I tired, hearing nothing but the thump of my
heart deep in my head. The white girl looks like a girl I may have known.
I look at the black man’s face. He casts a faint gray shadow on the sidewalk. I
tell him to run but he does not run. Most of the time they just stand there. There is nothing to
do now, I tell him. Most of the time there is nothing to do but wait. Even if
you know what is going to happen, you still have to wait for that thing to
happen. But there are ways to keep going. Sometimes you have to forgive. You
remove your clothes and you remove his clothes and you offer yourself to the painter.
You close your eyes. She undresses too. His back is already
scarred, but he holds his arms out, like he’s praying, and waits.
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